Gone Fishing
Experiments in Dwelling
Live Electronics and Improvisation
Riot Remedy
Raccoon Children
Quiet Music Piece
Experiments in Dwelling
Live Electronics and Improvisation
Riot Remedy
Raccoon Children
Quiet Music Piece
A Meal
Magdalene
This thing is Real
Performance of Self
Roberto Zucco
A Midwinter Nights Dream
Bio/CV
Writing
Magdalene
This thing is Real
Performance of Self
Roberto Zucco
A Midwinter Nights Dream
Bio/CV
Writing
Gone Fishing
Gone Fishing is an evening-length concert-theatre work presented for my MFA thesis at CalArts. The concert contained ten works, half solo compositions and half collaborative compositions between myself and friends. The binding element of all of these works were Field Recordings that I took in three contrasting regions of the United States: Southwestern California, Central Appalachia, and Southern Appalachia.
Framed as a site of mourning for the sounds of a decaying environment, the concert allowed audiences to engage with the work in whatever way they personally chose or felt comfortable with. Performances took place in the center of the space in a quadraphonic audio setup. Pillows and chairs were set up on the outer ring to allow the audience to lie down, get up, walk around, draw, or even sleep if they wished to. Each composition dealt with the relationship between ourselves as individuals, the ecology of the world around us, and the decay of these environments happening in real, observable time. The goal of the pieces was not about giving the audience scientific, observable fact or information about this decay, but rather providing space for people to process the incredible loss we are currently experiencing due to human activity driven by forces of western colonialism, industrialization, globalization, and capitalism .
The composition process began with the Field Recordings and each work iterated on specific recordings in different capacities. Playback, electronic manipulation of the recordings, pitched instrumentation, dronescapes, and noise were all used to create a dense dramaturgy of sound which weaved throughout the full concert.
The project was broken into three parts, each dealing with recordings of a different ecological region.
Part 1: Los Angeles County, Southwest California
Tongva, Chumash, and Fernandeño Tataviam Land
HUMUS and The Same Loop of Rain for Five to Seven Minutes
Dusk and A Survey of Fast Flowing Streams
A Currently Untitled Field Recording Piece
Part 2: Rabun County Georgia, Southern Appalachia
Cherokee Land
Dusk and A Survey of Fast Flowing Streams
CHIRP
The Swimming Hole at Betty’s Creek
Part 3: Central Appalichian Region, Various locations
Haudenosaunee, Shawnee, and Munsee Lenape Land
Dawn GriefDisparate Conversations